tout fou’s Neighborhood

If you missed it, here's a view of the moon from my part of the sky (SoCal).

New Year's Eve Blue Moon

Who's Afraid of Y2K? Looper Discography [1999] Up a Tree [2000] The Geometrid [2002] The Snare Read More Looper http://weheartmus... Formed by ex-Belle & Sebastian bassist, Stuart David and his wife, Karn in the late 90s, they fir...

It's hard to believe that it's been a decade since Y2K.

In 1999, the doomsayers predicted the end of the world as we know it - in the form of computers all over the world crashing because of the so-called millennium bug. It never made sense to me, I mean if it were a problem, couldn't you just change the date ?

I spent the New Year's eve in Vietnam, away from civilization. The next day, nothing changed. Not even an incident. All that scare were for thing. But it wasn't all for nothing, the Y2K bug inspired quite a few things - among them, music, televisions, and books.

WHO'S AFRAID OF Y2K?
geometrid.co.uk ♥ myspace.com

There was a period when I tracked down all the projects that were related to Belle & Sebastian, including The Gentle Waves/Isobel Campbell and Looper. Looper was was basically B&S's Stuart David and his wife, Karn, who actually met via penpalism (as told by their song, Impossible Things).

They did garner a bit of fame through "Mondo '77", a really great catchy "binary"-video gamey song (it's been featured in Vanilla Sky, video games, and anti-drugs commercials). But unfortunately, their third (and final?) album, The Snare did not have any really catchy songs. The ruder and darker themed album was due to David's book The Peacock Manifesto (whos character also appears on the cover and songs of The Snare).

Anyway, in 1999, Looper released a double A-Side called Who's Afraid of Y2K? and Up A Tree Again, which I picked up, among other singles, at a Flaming Lips show (Looper was opening up for the band).

Both are excellent songs, although there were two remixes of "Up A Tree Again". I normally don't like remixes, but these were pretty different from the original album (which actually sounds pretty stale compared to these upbeat mixes). The "singles mix" of "Up a Tree Again" was interesting to say the least, focusing mostly on the "la-na-na-na" section and DJ-scratches, while the Chocolate Layers remix was pretty much only the "la-na-na-na" section.

Looking back, I suppose "Who's Afraid of Y2K?" song was a bit of novelty. Ironically enough, the song was awashed in electronic quirks and beats - all the things that Y2K would've destroyed supposedly.

Currently, Looper's on hiatus. I haven't heard much in terms of a new David novel or Looper release. Most of the recent releases were made free on their website, geometrid.co.uk.

BRAVE OLD WORLD
dccomics.com/vertigo

I thought the concept behind this William Messner-Loebs-written Vertigo mini-series was interesting enough: a group of computer hackers working on a solution to the Y2K bug at the end of 1999 - only to find themselves in 1900.

The series explored some interesting concept, like what would you do, if you had all this computer/understanding of technology, only to be trapped in a world that still operated via candlelight? The women in the comics had it worst, let's face it, women didn't exactly have freedom back then. And if you were doing something strange, you're a witch and killed, etc.

So what's the group to do to try and back to 2000? They had to build a computer, by "inventing" their own technology.

Like I said, a very interesting concept. It sort of got a bit boring towards the end (by the last issue, I didn't really care for the characters so much).

Vertigo comics has yet to collect this in a trade, I suppose after the Y2K fiasco, it probably wouldn't be worth reading. I mean, we all know as fantastic as going back in 1900 would be, it didn't happen - just like the Y2K didn't happen. Still, if you want to re-live what it was like, or what Messner-Loebs was thinking back in 1999.

PREPARE YOURSELF FOR Y10K

Chances are, I'll be dead, so I wouldn't care so much what would happen. Wikipedia thinks it's a problem, but I suspect by the year 10,000, that our computing technology would be so advance, it wouldn't amount to anything.

Until then, have a great New Year. Take care of each other. I'll see you in 2010.

 12/31/2009 22:29:36 ♥ vu () ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com

W♥M059 [download (51 min, 47 mb)]

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BRITPOPCAST #6: THE GIRLS OF BRITPOP (wave 2)

Theaudience - Penis Size and Cars

2 comments

The show was actually longer, but I'm including more Jarvis-stalking festivities until next week. This week is all about the second wave of girls of Britpop (the first wave consists of Powder, Sleeper, Salad, Echobelly, Elastica). Since we've talked so much about them already, I thought talking about the second wave was a little more interesting.

Second wave:

• Kenickie (Lauren Laverne - all girls band)
• Kenickie, believe it or not, was the only all-girls Britpop band.  There was another band called Fluffy around this era, but they were more hard-rock than brit-pop.  While Fluffy's ultimate was branded with "eight tits no talent", Kenickie was more loved in general.  While their music is often more polished punk/pop early on, they shifted their sound to more lounge for their second album.  Obviously the band was still in their infancy ... but eventually broke up shortly after the second album.
  
• Lush (Miki Berenyi & Emma Anderson)
• In early Lush's history, they were two best friends, Miki Berenyi & Emma Anderson.  They were fanzine producers, and started their own band based on their love of shoegazing music with their EPs and debut album Spooky. You can hear their love of melodies as they sing in and out.  Of course, when you have two songwriters, they often clash if they have other interests.  In this case, at the time Split came out in 1994, some of the songs were clearly "britpop"esque.  Even the naming of the album (Split) was an indication, between aggressive pop songs like "Kiss Chase" and "Hypocrite" - the britpop songs would later continue with "Ladykiller" and their ultimate britpop moment with Jarvis Cocker on "Ciao!"  While I did tend to like the Miki songs, Emma did coin a few great pop gems like "Shake Baby Shake" (which is about the love of her car).
  
• When we heard that drummer, Chris Acland committed suicide by hanging himself, we all knew the band would be split up after this.  And it's true, they never quite recover.  I was lucky enough to catch them before the tragedy and continued to follow to see what the band's been up to.  The last I heard, Emma is in Sing-Sing, which had a great pop song called "Feels Like Summer".
  
• Catatonia (Cerys Matthews)
• Since we previously talked about Catatonia in our previous Welsh Britpop bands, I'll only briefly mention them here.  The thing with Catatonia for me was that each of their song was either a hit or miss... no inbetween feeling.  I either hated or love it. But the songs I really love, I really love, so that makes up for them.  I love the way Cerys sings, in fact, all Welsh people have a particularly weird accent to them and it's always a nice earful when you do hear them sing or talk.  It's like they're speaking English, but learned it from another planet.
• Favorite songs: "Mulder & Scully", "I Am the Mob", "Karaokee Queen",  "Road Rage", "Dead from the Waist Down"
  
• Theaudience (Sophie Ellis-Bextor)
• This was a very brief band from 97-99, fronted by Sophie Ellis-Bextor - who went on to have a series of very successful Eurodisco releases.  I must admit, I never followed the band that much - they arrived a little too late for me.  I didn't buy their debut album (it was never released in the US), but managed to get their debut single, "I Got the Wherewithal".  The song is quite good, and even their b-side "Penis Size and Cars" is amusingly catchy.
  
• Bis (Amanda MacKinnon)
• I love this Scottish band.  Although they were far too "kiddish" in their cute unreadable spellings and anime-influence, they were pretty damn cute and catchy.  Songs like "Kandy Pop" topped many playlist around this time, although in retrospect, looking back, it was a pretty mindless dum (dumb as in DUM) song.  Unfortunately, many people, including myself, didn't regard Bis as a Britpop band, but they're often grouped in.  My favorite song: "Action & Drama"!
  

Honorable mentions:

• Black Box Recorder (Sarah Nixey)
• Very catchy/dancey, but not Britpop.  Their bassist is Luke Haines, formerly of the Britpop band The Auteurs.
  
• Dubstar (Sarah Blackwood)
• This British act came out during the birth of Britpop, but they were far too alternative-dance/electronica to be considered Britpop.  The singer is Sarah Blackwood, who, I reckon the band ditched toward their later music releases.
  
• Sneaker Pimps (Kelli Dayton)
• Fluffy
  
• Republica (Saffron)
  
• Fat Les (Lily Allen sings on their last single???)
  

 12/30/2009 03:45:48 ♥ vu () ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com 

Brett Anderson - The Hunted Brett Anderson Tour Dates 01/22/10 O2 Shepherds Bush Empire London 01/24/10 Tivoli Utrecht 01/25/10 Luxor Koln 01/26/10 Knust Hamburg 01/28/10 Nalen Stockholm 01/29/10 Parkteatret Oslo 02/01/10 Lido Berlin 02/02/10 Atomic Cafe Munich 02/03/10 Tunnel Milan 02/05/10 Divan Du Monde Paris 02/06/10 Trix Antwerp 02/08/10 Academy 3 Manchester 02/09/10 King Tuts Glasgow Discography [Mar 2007] Brett Anderson [Sep 2008] Wilderness [Nov 2009] Slow Attack Read More Suede http://weheartmus... I suppose, I was a pretty big Suede fan, and Brett Anderson being on the cover with a quote like ...

BRETT ANDERSON
brettanderson.co.uk ♥ myspace.com

Those who follows our W♥M Podcast, you'll know that between Sally, Kristen, and I, that we really, really love our Britpop music. When Suede burst on the scene, with all their hype*, I was a bit, what's the word? Resistant.

I eventually got over it when I heard Metal Mickey, a nice rock n roll glammy track with aggressive Butler guitars and Anderson's unique voice. The songwriting duo of Anderson/Butler did not last for long, and Butler's replacement, Richard Oakes, seems only a pale copy of the original. I think everyone knew that, and eventually, Bernard Butler and Brett Anderson got over their differences and re-united - but not as Suede... they were then The Tears. I think everyone was confused on how to interpret it at first (personally I think it's like tears/crying, not ripped/tear).

The Tears didn't live for very long, and by 2007, Brett Anderson releases his inevitable solo self-titled album. I never bought his solo stuff, because I don't think his music post-Suede's Head Music** were ever re-release or re-marketed to the US audience, so the few promo downloads that he's made available for free, I wasn't so impressed with. I remember thinking his debut solo album was trying to be orchestral (based on what I've heard).

Imagine my surprise when I got a chance to listen to a few tracks from his latest album, Slow Attack, officially via We7.com. It was all very operatic, almost minimalistic in its approach of piano and percussions. I did like that it brings out Anderson's voice loud and clear, but it generally made all of his music to be on the sadder end of the scale.

While I think one or two slow songs would be OK for a full length, all of the tracks I sampled were in that very similar tone. Kind of ballady and depressing.  I kind of miss the old Suede stuff. The only redeeming value is that at least, his voice isn't altered/over-produced as with Suede's Head Music and Coming Up.

I suppose, Anderson's much older now, wow you can see his cheek bones sticking out of his face... such a difference of imagery, from a time when mean-spirited fans were calling him "fatty" (we all kind of knew it was the getting off the drugs that was causing the weight thing... allegedly).

Anyway, if you were looking for the glory rock days, don't bother looking into Slow Attack. If you're a hardcore fan, chances are you probably own the limited edition anyway. The album will probably not be released in the US, as were all his previous releases. Import costs are generally cheaper these days, but expect to pay about $20 for an import album (Amazon is listing $19).

Brett Anderson is touring in 2010, so if you live in the UK, you can relive your youth days. If he were touring the US, I might leave my hibernation to see him. As you know, I've met the band before at a special "after-party", I'm sure he'll have no idea who I am.

* "Best Band in Britain" before releasing their album? Really, Melody Maker, really??)
** Suede's last album, A New Morning was never released in the US.

TRUE NATURE
truenatureband.com ♥ myspace.com

As you know, I also run a website on artist George Perez, and it's rare when my music and comic website mix. How does True Nature and George Perez cross paths, you ask? The cover artwork for True Nature's EP, Feels Like Centuries, stars actress/model Tonya Kay (with some artwork and directions from Glen Wexler).

CREATURE (Tonya Kay) (2008), art by George Pérez

Perez, through his associations with Fetish Con, have actually drawn Tonya Kay as a print, for Fetish Con's "Who's the Best Bondage Super Heroine?" contest. The original artwork was auctioned off for charity.

So, there's the connection. As for True Nature's EP, Feels Like Centuries, based on the cover artwork, it looks like they're also marketing themselves as somewhat of a spiritual rock band. I reckon if you like classic American progressive-type rock, you might enjoy this EP. Despite having only five tracks, the EP is "centuries" long (so long that it felt like a chore to get through). It's not that I dislike singer/songwriter, Lou Barlow's vocals, it's just really not the type of music I enjoy.

Their best track is the opening song, "Truth I Have To Steel (Simple Heart)", which started off strong and remain steadily so throughout the song. You can sample the entire track on their official website.

You can pick up Feels Like Centuries at CD Baby or Amazon. Although, not really my thing, I'm glad that there was at least a common connection for me.

 12/26/2009 19:48:38 ♥ vu () ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com

This was done by an artist named Pogo from Australia: "Video for my track 'Upular', composed using chords, bass notes and vocal samples from the Disney Pixar film 'Up'. Enjoy!"

I love how this composition turned out and yes, now, I want to watch a Disney movie.
More of these songs are here.

I almost went to bed and forgot to do this whole writing thing. Now, I could have coped out and cited my earlier work on this wedding website of ours as my writing of the day. I managed to conquer the elusive 'our story' page as well as the 'yes we are getting married way the fuck in croatia, here are the details' page. So, that was a plus.

Well, here I sit. Christmas in the quaint cabin in the middle of the Smokey mountains. There are presents under one of the sadder trees I have seen. It isn't a tree, really, just some plastic molded into a two and a half foot tall solid white cousin It mass with a sad, reflective red butterfly on top. I haven't asked why there is a butterfly on top of a Christmas tree. I pretend it is justified by some Christ-like fluttering from the dead. Or something.

I am trying to decide my goals for this coming year. I want to narrow it down to three. Last year I went vegetarian, which I maintained happily and successfully (and learned to cook like woah along the way). All in all I ventured into meat maybe 10 times all year, 3 of which were for duck from the Chef's Table. So, totally understandable.

I am debating goals like 'putting my relationship first.' Because I want to, and I want to spend more time with the person who, ultimately, is my main priority in life. But then I put in my Spring class schedule on the calendar, and then my work schedule, then pencil out four blocks a week to (in theory) ride my horses. And then there is this sad little scattered gapping of unclaimed time, which in reality is meant to be spent studying, reading, and writing. This past semester I read over 100 books. When? And who am I kidding to think James can come first. The reality is my education does at this point and time, and that's that.

So, then I considered setting a goal for my education. I want to work on my writing (what's new?), and so was thinking of making myself write at least 300 words a day non-academic. This is where Vox comes in, I suppose. But then I think about how ultimately self-centered I used to find the whole blogging process, and how the good aspect (having others' feedback) also becomes this subversive force that changes not only what you write about, but how you write it. So maybe I should make a collection of files on my computer, or something....but then I remember the highlight of blogging: being held responsible to publicly show you are sticking to your goals. So there, I suppose this will be one of my three resolutions.

In all this angst (and truly, it is existential angst) over my writing and work this past semester I have committed, in my eyes, a cardinal mistake. Namely, indulging in my perfectionism. As Psychology Today so aptly put it, this an inherently selfish adventure as,"It is ultimately self-destructive to devote all one's psychic resources to oneself." A valid statement, and one to which I wholeheartedly agree to after emerging from a self-effacing and self-absorbed pit of despair over my own intellectual work over the past couple months. So, I think OK, let's do something for the community, or in a larger respect the world..or at the very least something obviously not originating from my head up my ass vision of the world. I remember meeting a really great family working with building an orphanage in Zimbabwe, so maybe I can donate $100 a month to them. Or in my local community there is a great organization working with the homeless. So them? Then my credit card bills start to loom in my face, but I won't cede because of it. I really need to spend some of this hard cash on something that pushes me at least once a month into a larger perspective. So this makes goal two.

What for the third? I wish I could write my friends more letters, spend more time with my dogs and horses, cook more, talk more to my loved ones, be more open, a million other things. But, in the end I remember that, despite the not perfect moments of the past year, I have laughed more and learned more than ever before; I have been more compassionate and more forgiving, of others and myself. And that, at the end of the day, is a damn good precedent for the coming year. 

So I still need to decide how this third resolution could be best spent, because I stick to these damn things like the stubborn person I am. I just need to foster more creativity in myself. I fell flat this past semester when I let my manic perfectionism blind my creativity and, most importantly, my voice. So how to avoid this? Being in Asheville makes me realize how much I miss places that inspire me. I need to find one near home. Somewhere that really inspires me. And I need to make a point of working there a few days a week. And I need to make sure and ride, even when shit gets wild. It clarifies my mind in ways nothing else can. So, let me think on the third and get back to you.

What are your goals?